comedy
It was a minor miracle, and in great part attributable to Van Peebles, that Watermelon Man turned into such a masterpiece.
I Care A Lot suffers from a tonal shift, is still prevalent enough that the film is entertaining and enlightening all the way through.
A wild and wacky comedy with bold splashes of the fantastical, Barb and Star Go to Vista Del Mar is the vacation from reality we all need and deserve.
PG: Psycho Goreman may become a cult film favorite with its quotable lines, an imaginative cast of fantastical characters, and irreverent attitude.
A Ghost Waits won’t provide too many chills and scares, but it will provide a well-crafted, tonally ambitious narrative of love and loneliness.
In her last report from Sundance Film Festival, Kristy Strouse reviews four more, very different (tonally and subject-wise), films.
In his latest report from the 2021 Sundance Film Festival, Wilson Kwong reviews Marvelous and the Black Hole and Land!
In his first report from the 2021 Sundance Film Festival, Wilson Kwong reviews R#J and First Date from the festival’s NEXT program.
Kate Tsang spoke with Film Inquiry about her film Marvelous and the Black Hole premiering at Sundance Film Festival 2021.
The performances Siân Heder draws from her actors always hits the right note that it’s nearly impossible for you to not fall in love with this movie.
Well, like so many of these director anthologies, Six from Paris suffers from the flippant transparency that’s all too common with this informal subgenre.
Cobra Kai may look like a series leaning heavily on nostalgia and cheesy drama but deep down, it is a humane portrayal of one’s journey to redemption.
Spoor combines the plot of a murder mystery with the morality of an old-fashioned fable to convey a message of righteous environmentalist anger.
Teenage Bounty Hunters hit an unlikely intersection of relatability, character and relationship growth, and adventure.