comedy
Feels Good Man should be required viewing, providing an excoriating insight into the rise of the alt-right and the underlying issues that propelled it.
Film Inquiry’s Amanda Mazzillo takes a look back at the memorable career and essential films of actor Jim Carrey.
Genuinely funny and made with a real passion for its heroes, Bill & Ted Face the Music is a most excellent addition to the franchise.
Apples is a gritty, subversive take on identity, memory and grief and an outstanding first feature from Greek director Christos Nikou.
Mambo Italiano is a comedy so broad and uncommitted it doesn’t know what to do with itself, leaving much to be desired.
Wilson Kwong had the chance to speak with director Bao Tran about his latest film The Paper Tigers and his unique journey as an independent filmmaker.
Earth Girls Are Easy manages to both subvert and give in to the conventions of its time, so singularly absurd and campy that you can’t not enjoy it.
Racism is not — and has never been, I might add — a laughing matter. But it doesn’t mean that addressing it using comedy is an impossible thing to do.
Film Inquiry recently spoke with former Disney star David Henrie about his feature directorial debut, This is the Year.
Lake Michigan Monster embraces strangeness as it affectionately homages sci-fi B-movies of the 1950s and silent comedies of the 1920s.
At the end of the day, Plan B is a sweet little story that turns a familiar plot on its head in a positive way.
Overall, Blood Vessel isn’t going to change horror forever, but it is entertaining, especially the first hour.
While Uncle Peckerhead kind of falls apart at the end with too many twists, the journey is worth taking despite its destination.
With a memorable dual role from Seth Rogen, An American Pickle is intentionally illogical, tonally wacky, and surprisingly personal.
In all its easygoing, light entertainment, Whose Line is ideal quarantine comfort food.
