comedy
Emma is able to seamlessly adapt the Jane Austen novel with all the nuance and pizzazz that it deserves.
If in the end there will be no fourth season for On My Block, the ending of season three is still pretty much a perfect closure.
Season four of This Is Us is still focused on the dynamic inside our beloved Pearson family, while introducing new characters along the way.
Although its premise is one of the most outlandish in recent memory, Extra Ordinary grounds itself with witty exchanges and a visually pleasing aesthetic.
In a time of so much uncertainty, a movie like Big Time Adolescence is the very definition of a “comfort watch.” And we could all use that right now.
Two very different recommendations from BFI Flare 2020: Evan Purchell’s explicit doc Ask Any Buddy, and Kelly Walker’s comedy drama My Fiona.
For all of its faults, 10 Things We Should Do Before We Break Up will woo you into enduring this snapshot of a relationship set to fail.
Avenue 5 is adrift, not exactly voicing a perspective that feels fresh or relevant. It doesn’t know what it wants to be, leaving it stuck in an unsatisfactory middle.
Drunk Bus is edgy and heartwarming, bringing powerful performances and an even stronger message to this coming-of-age film.
Despite Oy Vey! My Son Is Gay!! having a happy ending, it still serves up highly offensive and harmful gay stereotypes.
In order to fully enjoy Olympic Dreams, one needs to see it as an experiment.
Denmark isn’t really interested in trying to answer any questions it raises, instead it is content to muse on the journey of one man who just wants a better life for himself.
Julia Hart’s Stargirl is a decent adaptation of the beloved young adult novel, but it’s incredibly underwhelming.
The conflicts at the heart of Synonyms will resonate deeply, thanks to Lapid’s deeply personal storytelling and Mercier’s fiery performance.
Blow the Man Down is a careful study about growing up following a tragedy, about fending for oneself, and about the oddness in towns that people inhabit.
