comedy
For better or for worse, Haunted Mansion makes for a fun spooky night on Disney+ for the family.
Barbie is the ultimate summer movie for having as much wit and wisdom as it does charm, silliness, and an abundance of pink.
In her latest report from The New York Asian Film Festival, Lee Jutton reviews Bear Man, Kitty the Killer and I Love You, Beksman!
Too often dry in its narrative construct, audiences will find little emotional investment in The Miracle Club.
For those with a nihilistic sensibility, there will be solace in the nothingness that comes from Smoking Causes Coughing.
Polite Society does have its flaws, yet the heart of the film shines so bright, it is easy to overlook them.
The Out-Laws is a workable piece of entertainment, yet will struggle to be a film audiences remember after its release.
Fueled by brilliant performances and Petzold’s typically masterful storytelling, Afire will continue to smolder in the depths of your mind.
Ruby Gillman, Teenage Kraken doesn’t make a huge splash, but it does tread well enough to be an enduring animated film for those still in the kiddie pool.
Asteroid City is stylistically undifferentiated from most of Anderson’s recent output but it does take the audience behind the curtain.
From Fantastic Mr. Fox to The French Dispatch, something strange and different happens every time and Asteroid City is no different.
A Woman of Paris is a romantic drama that is equal parts engaging and tragic, with performances that are as impactful today as they were a century ago.
Film Inquiry spoke with Ted Lasso’s musical supervisor Tony Von Pervieux about his work on the show and its latest season.
Fantastical yet relatable, Bucky Fucking Dent is a moving debut by David Duchovny.
Kristy Strouse delivers her second report from Tribeca Film Festival 2023!
