crime

"I Try To Find The Humanity That I Still Have Hope We All Have": Interview with Karl R. Hearne and Dale Dickey for The G
Glasgow Film Festival 2024: THE G

While occasionally veering into an overly complicated and opaque narrative structure, The G is a fun genre thriller with an incredible performance.

Horrific Inquiry: FUNNY GAMES (2007)

Horror films have trained us to expect the final girl, but Funny Games does not acknowledge this hope and desire for survival.

Sundance Film Festival 2024: PONYBOI, HANDLING THE UNDEAD & GIRLS WILL BE GIRLS
Sundance Film Festival 2024: PONYBOI, HANDLING THE UNDEAD & GIRLS WILL BE GIRLS

With this report of the Sundance Film Festival, I delve into a world of crime, of the dead returning to life, and a true coming-of-age story.

THE CRIME IS MINE: Friendship, Feminism And The French
THE CRIME IS MINE: Friendship, Feminism And The French

While The Crime is Mine doesn’t reach the lofty heights of the classic comedies that influenced it, it’s all too easy to enjoy such a screwball vision.

Let's Face It: THE NICE GUYS Deserves More Love & Attention
Let’s Face It: THE NICE GUYS Deserves More Love & Attention

Despite positive feedback from the press, The Nice Guys went overlooked by the public, sadly tanking at the box office. It’s time to fix that problem.

THE STRANGLER: An Underseen French Giallo Emerges from the Shadows
THE STRANGLER: An Underseen French Giallo Emerges from the Shadows

“The Strangler” is a strange, seductive film that paved the way for many to follow, yet never received a U.S. theatrical release…until now.

KILLERS OF THE FLOWER MOON: A Masterful Epic About A Tragic Period In American History
KILLERS OF THE FLOWER MOON: A Masterful Epic About A Tragic Period In American History

Killers of the Flower Moon is both a faithful adaptation and a masterful epic from Martin Scorsese. It is authentic, respectful, and informative, exuding the talents of those both in front of and behind the screen.

THE FUNERAL (1996): Reversing The Genre, But Compromising Conviction
THE FUNERAL (1996): Reversing The Genre, But Compromising Conviction

In Ferrara’s world of fatalistic nihilism in The Funeral, there’s no escape from life torments, and only death and self-destruction hold the key.

London Film Festival 2023: THE KILLER
London Film Festival 2023: THE KILLER

Director David Fincher returns with The Killer, a stylish thriller about an assassin played by Michael Fassbender.

London Film Festival 2023: THE BIKERIDERS
London Film Festival 2023: THE BIKERIDERS

The Bikeriders film evokes an interesting time and place in US history, in which Nichols’ ensemble cast take big swings – and get big enough hits.

Toronto Film Festival 2023 - Mandoob, Naga
Toronto Film Festival 2023: MANDOOB & NAGA

In some shape or form, both protagonists from the following Saudi Arabian films are limited…

New York Film Festival 2023: ANATOMY OF A FALL
New York Film Festival 2023: ANATOMY OF A FALL

Anatomy of a Fall needs no dissection to understand why this is sure to become one of your favorite films of 2023.

KILLERS OF THE FLOWER MOON: Kills Time And Your Spirit
Unveiling History And Cinematic Mastery: A Comprehensive Guide To Martin Scorsese’s KILLERS OF THE FLOWER MOON

Killers of the Flower Moon isn’t just a historical tale but a profound and subtle commentary on history, humanity, and the power of storytelling.

A HAUNTING IN VENICE: Branagh Steers Christie Into New, Choppy Waters
A HAUNTING IN VENICE: Branagh Steers Christie Into New, Choppy Waters

A Haunting in Venice is a new direction, going for something more creepily claustrophobic, but doesn’t quite nail the landing.

Toronto International Film Festival 2023: THE CRITIC & HUMANIST VAMPIRE SEEKING CONSENTING SUICIDAL PERSON
Toronto International Film Festival 2023: THE CRITIC & HUMANIST VAMPIRE SEEKING CONSENTING SUICIDAL PERSON

For this Toronto International Film Festival, Wilson Kwong reviews the Critic and Humanist Vampire Seeking Consenting Suicidal Person.