Dale Dickey
While occasionally veering into an overly complicated and opaque narrative structure, The G is a fun genre thriller with an incredible performance.
Vital, raw and vulnerable, Nadine Crocker’s Continue is a bit of catharsis you didn’t know you needed.
Bloodline is a truly frustrating experience – a few less unneeded twists and turns might have made the whole thing plausible.
Hagar Ben-Asher’s Dead Women Walking creates the opportunity for conversation and examination while humanizing those individuals that society has locked away without a further care or thought of.
