dark comedy
Film Inquiry spoke with writer/director Angeline Walsh for her web series The Coroner’s Assistant!
The Coroner’s Assistant, an independent YouTube web series, has made a Y-shaped incision in my chest and neatly nestled itself in my heart.
The themes of “Fleabag” are heavily supported by the visuals, particularly emphasizing the undertones and tonal shifts between seasons one and two.
The Origin of Evil is a slow-burning, deliciously dark, and comical thriller with layers to savor.
Even more so than its celebratory aspects, Harold and Maude holds a special place in my heart because of what it meant to me when I first watched it.
Princess Rita is a film of subtle contrasts that distracts from a storyline that could easily be told as a cautionary tale of internet naivety.
Violence is key to the narrative of Grosse Pointe Blank, and it forces Martin Blank to contend with who he was and who he has become.
We spoke with Brea Grant, writer/director of 12 Hour Shift, about the movie and her creative decisions, collaborations, and inspirations.
Wade in the Water is raw, supplying dialogue that’s probably too forthright for Hollywood, but it also pulls off something inventive and darkly funny.
There is much to admire about The Sisters Brothers; the powerful performances, the beautiful cinematography, and the statement on violence in the Old West.
Brother’s Nest is a return to form for Shane and Clayton Jacobson, their comic noir feeling like an Australian Hitchc*ck film.
Set in the gritty underbelly of southern China, Have a Nice Day (Hao ji le) is a dark comedic commentary on greed and materialism and only a small peak into what director Jian Liu has to offer.
The Golden Bear winning, Oscar nominated On Body and Soul is one of the most bizarre love stories in recent memory. It’s a treat for adventurous viewers.