documentary
Reporting back from MIFF 2021, Sean Fallon reviews Come Back Anytime, Set!, Stray, Ablaze and The Witches of the Orient!
Homeroom is empowering and it is inspiring, bringing a fresh perspective to the events of 2020 and to the future.
Politically charged and historically conscious, Chris Marker’s fertile imagination makes him one of the cinema’s most transcendent artists.
Under the Volcano chronicles the life of “Fifth Beatle” Sir George Martin’s secret recording studio in the Caribbean.
In The Hidden Life Of Trees, conservationist Peter Wohlleben is a modern-day Lorax as he educates and speaks for the trees.
A creative exploration of the legacy of Moholy-Nagy, an artist who never became a household name and yet whose life’s work is nonetheless ever-present.
The Surge at Mount Sinai details the struggle early healthcare workers faced in the early stages of the COVID-19 pandemic.
In Borderlands, six lives have been woven together seamlessly to symbolize the continuum of life and inseparability of human agency.
In her final report, Kristy Strouse reviews Werewolves Within, The Kids, No Future & Ultrasound.
As a portrait of one of the higher-profile fights to close the gender pay gap, it gets the job done with gusto.
In Lance Oppenheim’s playful and otherworldly documentary, we get a peculiar glimpse of the lives of people seeking to escape into something utopian.
In Pray Away, viewers are led into the minds of those who founded, lead, and propagated one of the biggest conversion therapy developers.
In the documentary, The Sound of Identity, Lucia Lucas is the first transgender woman to headline a major opera production
While Accepted examines the rise and fall of TM Landry, it’s also a multilayered look of the environment children are thrust into.
Musanna Ahmed takes a look at four films in our first installment of coverage at Denmark’s 2021 CPH:DOX Film Festival.
