Drake Doremus
Endings, Beginnings seems to be an illuminating experience for the actors involved, but an aimless drag for audiences watching.
We spoke with Drake Doremus, director of Endings, Beginnings, about the process of the film, what inspires him, and how he’s keeping busy during these strange times.
In Endings, Beginnings, a woman (Shailene Woodley) navigates through love and heartbreak over the course of one year.
Zoe’s detriment is not necessarily any of its individual parts – it’s that they don’t quite add up to anything more impactful or memorable.
Kristy Strouse reviews her final batch of films from Tribeca Film Festival, including Zoe, In a Relationship, and Woman Walks Ahead.
Stephanie Archer gives a roundup of some of her experiences at Tribeca Film Festival, including a sci-fi, documentaries, shorts, and more.
Equals feels so familiar because its setup has been in heavy use since the post-World War I era of science fiction. A totalitarian government that controls people’s emotions? That’s Aldous Huxley’s Brave New World, George Lucas’s THX 1138, Kurt Wimmer’s Equilibrium, and a litany of other stories far too vast to name off.
