drama
A masterpiece, Door Mouse is a slick neo-noir that adds a lot to a genre that we don’t get enough of.
Well, the first episode of The Last Of Us has come and gone and it’s… beautiful. It’s haunting.
Despite boasting great performances and lavish production values, Chess Story feels unnecessarily messy, overwhelmed by the scope of its adaptation.
Alice, Darling could do with some whittling down, but many of the details make the film a needed testament to an under-explored experience.
With Saint Omer Diop has delivered one of the most powerful and personal films of the year.
A Few Good Men remains one of the most beloved courtroom dramas of all time, and Rob Reiner’s heady legal classic is now 30 years old.
Broker may not reach the heights of its predecessor, but it is a lovely depiction of a found family brought together in the strangest of ways.
Ted K remains interesting because of Copley’s performance and the fact that Kaczynski is a fascinating persona in and of himself.
An irresistible experience loaded with vulgarity, passion, and energy, Babylon is one big party of an intoxicating cinema explosion.
Lady Chatterley’s Lover will surprise audiences with how much investment in its characters it is able to achieve.
The Box uses an identity crisis to excavate the skeletons in Mexican capitalism’s close -what the movie asks is, who put them there and why?
Onoda’s story, as exceptional as it may be, embodies the plight of every soldier sent to fight and die.
An imperfect yet still intriguing debut feature, Old Town Girls signals Shen Yu as a director to watch.
Is The Eternal Daughter a scary movie in the traditional sense? No, but it will send shivers down your spine and into your soul.
For a mainstream breakout film, Manjule creates something that has both a heart and mind behind it.
