drama
Ponniyin Selvan: Part I is fun and brisk, setting a higher standard for Indian literary adaptations.
A horrific holiday horror, Pilgrim has all the trimmings – both the good and the bad.
Summoners, a new film by Terence Krey that premiered in October at the Brooklyn Horror Film Festival, is a tale of two witches reuniting.
A Friend of the Family features some of the best performances and filmmaking on television this year, but it’s also a relentless nightmare to take in.
On this Away from the Hype, we look at the racy 1995 film: Showgirls.
My Neighbour Adolf had within its DNA the potential for something good, but alas an inability to strike a consistent tone means the talents of its stars.
For the last few decades, Dansereau has been toting Dream Life around to women’s studies classes in order for it to be seen.
This is a series that really elevates in its dialogue and writing, but is sold by amazing performances from Domhnall Gleeson and Steve Carell.
An impeccably crafted puzzle box of a film, Decision to Leave cements Park Chan-wook’s place in cinema as our modern master of suspense.
While the visuals and horror may not have stood the test of time, The Birds proves there is still more to be taken away watch after watch.
Despite the prestige of those involved in the project, Hilma is far too ordinary a film to do justice to such an extraordinary subject.
Little Odessa is not only a sobering look at a first generation Brooklyn family, but is also the best gangster film you’ve never heard of.
Without Gandolfini, without any sort of revelation, we’re left with a movie that sort of resembles The Sopranos but feels more like a cheap knock off.
Lee Jutton is back with two more films from this year’s New York Film Festival, with reviews of The Novelist’s Film and Walk Up!
In our latest report from the 2022 Toronto International Film Festival, Faisal Al-Jadir reviews Venus, Sisu and Viking!
