drama
Sick of Myself is a deranged and delightfully cynical work of art that proves attention-seeking for the sake of fame always comes at a much higher cost.
Blonde has and will continue to infuriate audiences, yet is a film that can be studied for not only the continued dominating male gaze, but for the need of women to tell women’s stories.
While most are probably familiar with The Square & Force Majeure, his most provocative, and ingenious work was his overlooked 2011 film Play.
The Justice of Bunny King presents audiences with a mesmerizing character study on the undeterred spirit of motherhood.
Film Inquiry spoke with star Zar Amir Ebrahimi and writer/director Ali Abbasi for Holy Spider, a compelling crime thriller from this year’s TIFF!
While Don’t Worry Darling has some very good perks it ultimately tries to work with too many ideas without giving them one direction.
Mobile Suit Gundam: Cucuruz Doan’s Island transforms a forgotten Gundam episode into one of the most exciting Gundam movies ever.
With her last TIFF report, Kristy Strouse covers two Midnight Madness flicks!
In this report, Kristy Strouse covers The Happiest Man in the World, Women Talking & Return to Seoul!
Missing retains the feeling of a J-horror, slowly building the intensity of its mystery while examining the potential compassion and deliverance of death.
In her second report from TIFF Kristy Strouse reviews Susie Searches, The Blue Caftan and Subtraction!
The Woman King is a powerful tale of sisterhood and freedom; freedom from patriarchal influences, freedom from slavery.
While The Other Side of Things succeeds as a love letter to the American Dream, it does not succeed as a film, feeling more like an advertisement.
With a lack of dramatization in the story, Empire of Light only has its fantastic performances and technical components to keep it afloat.
Michal Blaško spoke with Film Inquiry about the film during its presentation at the 2022 edition of the Toronto International Film Festival.
