epic

THE PROMISED LAND: An Old-Fashioned Historical Epic
THE PROMISED LAND: An Old-Fashioned Historical Epic

By the final image of The Promised Land, we’ve been taken on an epic adventure, and in our heart of hearts, we are sated by the sweep of it all.

KILLERS OF THE FLOWER MOON: A Masterful Epic About A Tragic Period In American History
KILLERS OF THE FLOWER MOON: A Masterful Epic About A Tragic Period In American History

Killers of the Flower Moon is both a faithful adaptation and a masterful epic from Martin Scorsese. It is authentic, respectful, and informative, exuding the talents of those both in front of and behind the screen.

LABYRINTH OF CINEMA: Exploring the Difference Between Real and Reel
LABYRINTH OF CINEMA: Exploring the Difference Between Real and Reel

Japanese master filmmaker Nobuhiko Obayashi’s final movie Labyrinth of Cinema is a love-song to movies and a reckoning with Japanese history.

IRON SKY: THE COMING RACE: Putting The “Hollow” In “Hollow Earth”
IRON SKY: THE COMING RACE: Putting The “Hollow” In “Hollow Earth”

Without the love and affection of its predecessor, nor does it have a sense of discipline or focus, Iron Sky: The Coming Race falls flat.

BLACK ’47: Surprisingly Enjoyable Historical Epic
BLACK ’47: Surprisingly Enjoyable Historical Epic

Black ’47 isn’t a perfect film – the shaky characterisation prevents the emotional undercurrents from truly picking up speed. Regardless, it’s a fantastically captivating historical epic.

2001: A SPACE ODYSSEY: Still As Bold Now As It Was Then
2001: A SPACE ODYSSEY: Still As Bold Now As It Was Then

With a re-release on 70mm, we look back at the sci-fi classic 2001: A Space Odyssey, which continues to astound after 50 years.

QUEEN OF THE DESERT: The World Owes Another Film To Gertrude Bell
QUEEN OF THE DESERT: The World Owes Another Film To Gertrude Bell

With its shallowness of character and its failed continuity of plot, Queen of the Desert is a film made as if to remind us of why we call films ‘pictures’, since the only good thing about the film is its mise-en-scenes.

ROGUE ONE: A STAR WARS STORY: Anything But Rogue
ROGUE ONE: A STAR WARS STORY: Anything But Rogue

Despite initial scepticism, Rogue One: A Star Wars Story is a vividly presented and brilliantly executed standalone Star Wars film.

SILENCE: Martin Scorsese's Intimate Epic Is A Monumental Achievement
SILENCE: Martin Scorsese’s Intimate Epic Is A Breathtaking Achievement

Martin Scorsese’s Silence begins with a dark, blank screen, with only the gentle humming of cicadas heard on all sides. It then immediately opens up to an overcast shot overlooking the banks of a river, where numerous people are being strung up and tortured. Such a peaceful moment undercut by extreme violence is very much an indication of what’s to come.

Revisiting Baz Luhrmann's Cinematic Style In THE GREAT GATSBY
Revisiting Baz Luhrmann’s Cinematic Style In THE GREAT GATSBY

Baz Luhrmann is a divisive director. His unique blend of pop culture references coupled with highly choreographed, hyperbolic sequences can, for some, prove distracting. Certainly, these criticisms are understandable, if not valid.

A TOUCH OF ZEN: Cosmic Beauty In Discipline
A TOUCH OF ZEN: Cosmic Beauty In Discipline

The new Criterion Collection release of A Touch of Zen includes director King Hu’s own notes on the film. In these notes, Hu discusses a conversation he had with a Zen Buddhist who told him that Zen must be understood not through verbal explanation, but through an enlightening experience. Despite his renown as a director of wuxia films, Hu was neither a Buddhist nor a martial artist; but, he believed that capturing an experience of Zen would make for a strong film.