filmmaking
The importance and brilliance of colour in film cannot be stressed enough. Colour has the amazing ability to grab the audience’s attention, foreshadow information and control or influence emotion consciously and/or subliminally.
Gone is the heyday of the classic 90’s romantic comedy, but why is it that so many contemporary romantic comedies fail?
We had the chance to speak with director Matt Schrader about the making of his upcoming documentary Score: A Film Music Documentary, a film any film nerd should see.
Martin Scorsese’s career so far spans five decades – which films of his should you start exploring first? This is an in-depth guide to his amazing work!
We spoke with filmmakers Peter Stray, Craig Russell and Mark Price about their latest project, the very low budget sci-fi thriller CANARIES.
Film to some is much more than a hobby, but a lifestyle. Sometimes it can…
Barry Jenkins’ work before Moonlight is freely available on his Vimeo account, and we’re taking a deep dive into his terrific work.
Filmmaker and actor Brendan Bradley discusses the increasing role that social media is having on creativity and the power of filmmaking.
Gene Fallaize, director of horror feature ‘Cain Hill’ gives us some insight on what post-production typically looks like for a film!
Ben Wheatley’s new film FREE FIRE is out today and we spoke with him about the film, his filmography, and the extreme violence in his films.
Casey Neistat is raising the bar of YouTube filmmaking, leading a new generation of creators that are democratizing the process of filmmaking.
Jacob Burns Film Center’s Creative Culture Program: An Experiment In Filmmaking & Interconnectedness
Creative Culture is the Jacob Burns Film Center’s (NY) educational program. We watched the fellows’ films and interviewed the program director.
We sat down with Tema Staig, the woman behind Women In Media, who has been pushing for the acknowledgement and hiring of women in the film industry.
Audio-visual media have become intertwined. For both to survive in a digital age, cooperation between TV and cinema has become a go-to strategy.
We spoke with Kirsten Johnson, director of the documentary Cameraperson, how she became a cameraperson herself, and about her inspirations.
