Frances McDormand

THE TRAGEDY OF MACBETH: Joel Coen's Striking Solo Debut
THE TRAGEDY OF MACBETH: Joel Coen’s Striking Solo Debut

Out of the countless productions of The Scottish Play that exist, Coen definitely brings something new to the table.

NYFF 2021: THE TRAGEDY OF MACBETH: A Wicked Reimagining
NYFF 2021: THE TRAGEDY OF MACBETH: A Wicked Reimagining

Elevated by excellent performances, minimalist interpretation of the visuals, and sound design that is larger than life, The Tragedy of Macbeth soars.

Interview with Jessica Bruder, The Author Behind NOMANDLAND
Interview with Jessica Bruder, the Author Behind NOMADLAND

Luke Parker spoke with journalist/author Jessica Bruder about Nomadland, the Searchlight Pictures production based off her book.

NOMADLAND Trailer
NOMADLAND Trailer

A woman embarks on a journey through the American West after losing everything during the recession.

Interview with Jessica Bruder, The Author Behind NOMANDLAND
London Film Festival 2020: NOMADLAND

Any way you choose to interpret it, Nomadland flourishes under the direction of Zhao, and bolstered by a brilliant performance from McDormand.

NYFF 2020 Report #2
NYFF 2020 Report #2

For his second report from the New York Film Festival, Soham Gadre covers six more diverse films.

TIFF 2020: Nomadland - A Stunning Portrait of A Failed American Dream
TIFF 2020: NOMADLAND – A Stunning Portrait of A Failed American Dream

Chloe Zhao’s Nomadland surpasses the wildest expectations to become the first true all-around festival standout of the year.

GOOD OMENS: Best. Apocalypse. Ever.
GOOD OMENS: Best. Apocalypse. Ever.

There’s smart comedy, earnest romance, poignant drama, and visuals to dazzle even the most superhero-addled of viewers. Let’s talk about Good Omens.

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI: Brutal, Hilarious & Morally Complex
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI: Brutal, Hilarious & Morally Complex

Three Billboards Outside Ebbing, Missouri is a funny yet brutal film, presenting complex quandaries of grief, violence, and rage.

THE GOOD DINOSAUR: The Simplistic Movie

Is it selfish for adults to demand more from children’s entertainment? Adults have access to a wealth of different mediums of entertainment to enjoy, so should we crave animated films, mostly intended for a younger audience, to cater towards adult audiences? Indicators of these include dealing with deeper and darker themes, adult-only jokes/pop culture references and generally being an entertaining film that doesn’t go for the lowest common denominator.