Germany
Club Zero is often disturbing and always engaging, but it’s certainly not for everyone.
Horror films have trained us to expect the final girl, but Funny Games does not acknowledge this hope and desire for survival.
An effective and vitally relevant piece of cinema, Eternal You is both a display of hope and caution that we all need to hear.
From New York Film Festival, Lee Jutton reviews La Chimera and About Dry Grasses!
Bark plays on the maddening isolation and sense of despair when all hope seems lost and escape impossible.
While Perfect Days is minimalistic and quiet, almost to a fault, Les Indésirables is a bombastic cinematic experience.
The Last Voyage of the Demeter turns in a light Dracula voyage too bound by its stock itinerary to sail into more adventurous waters.
Fueled by brilliant performances and Petzold’s typically masterful storytelling, Afire will continue to smolder in the depths of your mind.
Human Flowers of Flesh is just as enticing for anyone who has or hasn’t seen Beau Travail.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!
While not as gory or jumpy as a modern horror movie, The Cabinet of Dr Caligari is definitely a horror movie.
Padre Pio leans into its politics and historical fealty; the spiritual aspects are heady, abstract, and dense.
A timeless coming-of-age tale told beautifully by Marcello and his collaborators, Scarlet is a cinematic treat for the eyes, the ears, and the heart.
Omen is an undeniably beautiful film that is a prime showcase for Baloji’s talents as a visual storyteller.
Jonathan Glazer has made a film like no other with The Zone of Interest, one that festers in the mind like a disease.
