Harrison Ford
Dial of Destiny is not perfect, with noticeable flaws, but it is also very entertaining, exciting, and well-acted.
This week Jesse reviews Indiana Jones and the Dial of Destiny, then Film Inquiry Editor-in-Chief Kristy Strouse joins to discuss the Indy series as a whole.
Indiana Jones and the Dial of Destiny is an upcoming American action-adventure film starring Harrison Ford as archaeologist Indiana Jones.
This adaptation of The Call of the Wild doesn’t quite have the same impact as Jack London’s bold portrayal of nature versus man. But it’s hard to decry it all the same.
In The Call of the Wild starring Karen Gillan and Harrison Ford, a sled dog struggles for survival in the Alaskan wild.
Rather than looking skyward, Armstrong awkwardly looks at its feet, the film eclipsed by other efforts both fictional and factual.
With more and more sequels, prequels and spin-offs hitting our screens, Luke Walpole examines the focus on backstory in cinema.
In the latest of our Away From the Hype series, we examine Indiana Jones and the Kingdom of the Crystal Skull, to see whether it is deserving of its negative reputation.
In discussing the role of replicants within the context of the two Blade Runner films, we discover just what is horrifying about a sentient creation that is not allowed their humanity.
Blade Runner 2049 may be acclaimed by critics and cinephiles alike, but why did the general audience fail to love it as much?
Blade Runner 2049 is a blockbuster with brains, heart and an abundance of style, that will certainly reward repeat viewings.
From director Brian J. Terwilliger comes the National Geographic documentary short, Living in the Age of Airplanes. It was an easy sell for me, as I’ve enjoyed numerous aviation and spaceflight documentaries tailored for “edutainment”.
In Andrew Davis’ brilliant 1993 thriller The Fugitive, the filmmakers use a variety of techniques to lead the viewer through the story. They drop hints with color and lighting that viewers are not necessarily trained to consciously notice while they’re watching, and employ a gripping editing style that effectively supports the cat-and-mouse game that embroils the film’s two main characters. Every movie has content, which is what is seen and heard on screen, and what is referred to as form, which is the way in which the film’s creators manipulate that content to their own ends and present it to the viewer.
