Hong Kong
No films better symbolize the livewire energy of this era in Hong Kong filmmaking than those focused on the youth of the region, such as Spacked Out.
Both a monumental piece of Chinese cinematic history and a lasting tribute to the special brilliance of its star, this is essential viewing.
Donnie Yen might not be King Hu behind the camera, but he’s still a joy to watch in front of it — even in a weaker wuxia like Sakra.
Chungking Express: the film that will remain young and beautiful until the end of time.
With career performances, Raging Fire hits all the right notes in this orchestral masterpiece of Hong Kong action cinema.
One hopes that this new restoration reignites interest not just in the film, which is an absolute masterpiece, but in the career of Ruan Lingyu.
Drifting had its world premiere at the 2021 International Film Festival Rotterdam, and Jun Li spoke with Film Inquiry about his remarkable film.
Wilson Kwong spoke with Natalie Chao at the 2021 Sundance Film Festival about her documentary To Know Her.
My Prince Edward brings hope to anyone who yearns for cinema from one of Asia’s most iconic and special regions.
Fruit Chan’s Made in Hong Kong’s bleak tale of alienated youth should appeal to anyone who has ever felt the future slipping away from them.
While The White Storm 2: Drug Lords is an entertaining piece of filmmaking, it just fails to engage in a way that its premise would have suggested.
As Hong Kong cinema continues to evolve, a film like Suk Suk is both important and necessary in reshaping the industry’s overall identity.
Film Inquiry sat down with Suk Suk’s three main actors (Tai Bo, Ben Yuen and Patra Au) to talk about working on such a uniquely important project in Hong Kong cinema.
The director (Yeung) and cast of Suk Suk (Tai Bo, Ben Yuen, Patra Au) sat down with Film Inquiry to talk about the film when it was shown at the Berlin International Film Festival.
Sadly, it’s hard to call this final chapter of the Ip Man saga a successful piece of filmmaking.
