horror
Let Us In attempts to recreate the feel of classic horror properties for children, only the results are not creepy, interesting, or original.
Kristy Strouse gives us her first Tribeca Film Festival report with three films: No Man of God, Shapeless and Mark, Mary & Some Other People.
Film Inquiry spoke with Joan Allen, one of the stars of the newest Stephen King adaptations: Lisey’s Story.
The Conjuring: The Devil Made Me Do It is a different breed of horror, but is still just as beautiful and engaging.
Film Inquiry spoke with Ron Cephas Jones for his role in the latest Stephen King adaptation: Lisey’s Story.
Funhouse wants to be seen as a clever take-down of violence and reality television but does not quite hit the mark in either area.
For 45 years, the film was believed to be lost, but George Romero’s film has now resurfaced, and The Amusement Park is definitely worth a visit.
John Krasinski’s A Quiet Place Part II fails to live up to the expectations and high standards that the first movie has established.
It mostly delivers on the thrills and kills, providing enough of a jolt of energy to satisfy genre fans.
Fans of Snyder will undoubtedly find value in it, with moments where the director is allowed to play to his strengths, but they’re far and few between.
From witches to Satan, Rosemary’s Baby has it all, and while it may not have aged as well as hoped, it is still a classic film that still influences.
Karl Holt’s Benny Loves You is a madcap feature debut that toys with a man-child’s inability to let go of childhood.
With the TCM Classic Film Festival kicking off in May, Lee Jutton takes a look at Michael Curtiz’s Doctor X, one of the films playing.
The latest edition of Film Inquiry’s horror movie-centered column, Horrific Inquiry, takes a look at the 2001 Japanese film Kairo, or Pulse.
The final moments of the film do work, but are ultimately not worth sitting through the slow-pace, bad jokes, and exposition-laden dialogue.
