horror
We spoke with the very talented cinematographer of Lucky, a new horror-satire, Julia Swain.
Wearing its influences on its sleeve and a love letter to horrors of the past, Awoken is a sharp little horror movie with bite and shocks.
We spoke with writer/director Jill Gevargizian and star Najarra Townsend for their amazing new horror: The Stylist.
Sean Fallon spoke with director and writer Daniel J. Phillips about his film Awoken, his influences and his next projects.
Come True is a visually stunning and beautifully directed film, but its twisty plot sometimes goes too far.
The Stylist has everything one can want from a horror film; a talented female lead, lots of chills and bloody enticements, and a wickedly impressive style.
The Horrific Inguiry column takes a look at the Universal Monster film Frankenstein (1931) and its legacy within film history.
The Vigil finds success in its intricate and delicate layering of its narrative, giving time for viewers to digest each tidbit given.
The Columnist is an effective thriller about one woman’s revenge against her online abusers, but it lacks deeper meaning.
With a lack of investment in its central character and a lackluster execution, The Night is a film not likely to see the dawn.
PG: Psycho Goreman may become a cult film favorite with its quotable lines, an imaginative cast of fantastical characters, and irreverent attitude.
Far from the best horror film, and far from the best slasher, there is something classically endearing about My Bloody Valentine.
A Ghost Waits won’t provide too many chills and scares, but it will provide a well-crafted, tonally ambitious narrative of love and loneliness.
While the movie could’ve been a little deeper, Censor is nevertheless still a solid debut from Bailey-Bond.
House of Wax boasts an impressive performance by Vincent Price, a strong induction into horror history and proof that remakes are not all bad.
