horror
While Haunting of the Queen Mary may struggle to find its sea legs, it culminates into an epic voyage of terror and twists.
While thus far, I have delivered my thoughts in the showcases, in my last report, there’s a little bit of everything.
From demonic possessions to haunted polaroids, from motherhood to neocolonialism, the HollyShorts horror section has a taste of it all.
The Last Voyage of the Demeter turns in a light Dracula voyage too bound by its stock itinerary to sail into more adventurous waters.
While nowhere near as successful as the Conjuring franchise in popularity or quality, The Haunting in Connecticut proves itself entertaining.
Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
The Descent: Part 2 falls within the overflowing pot of sequels made for the sake of making a sequel.
The Descent is a film you literally feel, in a league all of its own.
For better or for worse, Haunted Mansion makes for a fun spooky night on Disney+ for the family.
Bad Girl Boogey may not be a great film but it has the ambition and heart to pursue a whole new lore.
For those with a nihilistic sensibility, there will be solace in the nothingness that comes from Smoking Causes Coughing.
Morbius was a double failure at the box office because its lead is boring, its plot is derivative, and its marketing tried its damnedest to trick audiences.
It may not stand against the test of time in all that it has to deliver, but The Ring still proves to audiences why it never sleeps.
Evil Dead is brutally violent and unrelentingly gory, yet it is also the work of an artist with a passion for the craft.
From Tribeca Film Festival Payton McCarty-Simas pairs two films, one an ode to midnight movies past, with another paean to movie obsessives.
