Ireland
Film Inquiry spoke with Gary Clark, Composer of Flora and Son!
With Flora and Son, Carney is venturing toward more trendy mainstream territory again and yet stays within his most comfortable milieu.
Lofty in ambition yet flawed in realization, LOLA is nonetheless an intriguing cautionary tale experiment in lo-fi science-fiction.
A quiet, poignant, and moving documentary, The Deepest Breath is unforgettable.
Too often dry in its narrative construct, audiences will find little emotional investment in The Miracle Club.
When you go to see an Evil Dead movie you kind of have an idea of what you’re in for, and we get that, but Evil Dead Rise also gave us so much more.
Ultimately, God’s Creatures is a well made, well acted piece of filmmaking, if only it was able to tie together its elements a little better.
My Sailor, My Love is not quite a romance, but rather a slow examination of the wounds we inflict on each other and the difficulties of moving past wounds.
My Father’s Dragon, Cartoon Saloon’s direct-to-Netflix kids’ film, is unfortunately too loud and annoying to have an impact.
The Banshees of Inisherin is one of Martin McDonagh’s greatest and most assured efforts as a filmmaker yet.
Featuring incredible performances all-around, and some of the best writing you’re going to see this year, The Banshees of Inisherin not one to miss.
In our last report from the 2022 Heartland International Film Festival, Emily Wheeler reviews four more films!
While the focus and ingenuity lessen as the underdog formula takes priority, the talented cast and their chemistry vitalize the absurdity.
In the latest report from SXSW 2022, Kevin L. Lee reviews two supernatural features: Jethica and The Cellar!
While underdeveloped and sluggish in approach, Phil Sheerin’s The Winter Lake is a sedate, rustic thriller examining familial complexities.
