Jacob Tremblay
My Father’s Dragon, Cartoon Saloon’s direct-to-Netflix kids’ film, is unfortunately too loud and annoying to have an impact.
Led by stellar voice-acting and an endless amount of charm and youthful spirit, Luca is Pixar’s simplest movie to date, but it’s simple done right.
Luca is a coming-of-age story about one young boy experiencing an unforgettable summer when all the fun is threatened by a deeply-held secret.
The Death and Life of John F. Donovan is far from perfect, but still manages to be a fascinating attempt at exploring sexual identity, isolation and the consequences of fame.
It’s absurd and outrageous, and although sometimes that doesn’t work in favor of the jokes, Good Boys triumphs as a sweet coming-of-age story.
In Good Boys, 3 6th grade boys ditch school and embark on a journey while carrying accidentally stolen drugs, and trying to make their way home in time.
Saving the best for last, ”Blurryman” is definitely the best episode of Season 1 of The Twilight Zone simply because it isn’t afraid to take risks.
Though not perfect by any means, “Six Degrees of Freedom” is arguably the most thought-provoking episode of this season of The Twilight Zone.
Wunderkind has solid ideas and the potential to be a potent political satire, yet it falls into the same trappings as previous episodes in the sense that its message is too obvious.
Good Boys is not for everyone, for it is messy and repetitive in what it’s doing, but it is also exceptionally funny, charming, and thoughtful.
The Predator is a brainless, tone deaf picture, that is quite easily the worst thing writer/director Shane Black has ever laid his hands on.
With verisimilitude, outstanding acting from its central and supporting cast, and sentient multifaceted perspectives, Wonder succeeds.
Wonder may have all the trappings of passable family-friendly fare, but it is jumbled, unfocused, and far too unbelievably sappy.
The Book of Henry is strange from its outset, and its lack of redeeming characters or strong emotional moments doesn’t much help matters.
Before I Wake feels like a parody of director Mike Flanagan’s more successful work, prioritising emotional manipulation over story and scares.
