Josh Brolin

THE LEGACY OF A WHITETAIL DEER HUNTER: The Summer Of Josh Brolin Continues
THE LEGACY OF A WHITETAIL DEER HUNTER: The Summer Of Josh Brolin Continues

The Legacy of a Whitetail Deer Hunter is undeniably a missed opportunity, a film that nails a certain tone and feel without putting all the pieces together.

DEADPOOL 2: More of the Same But Still Great Fun
DEADPOOL 2: More Of The Same But Still Great Fun

Though struggling with its initial attempts to find its footing, Deadpool 2’s overall sense of exuberance and self-aware nonsensicality is still evident throughout, showcasing both David Leitch’s talent to direct action and Reynolds’ commitment to his character.

ONLY THE BRAVE: A Missed Opportunity Hellbent On Heroism

Only the Brave is more concerned with its traditional gender politics than making any grander statement on man’s relationship with nature.

hail, caesar
HAIL, CAESAR!: The Coens Just Want To Have Fun

The Coen Brothers have managed to put their own twist on noir, the buddy comedy, crime drama, romantic comedies, westerns, and spy films. They are clearly film historians, so they want to show their love of movies by tackling classic genre films that cannot be sold to modern audiences. How did they manage to do this?

SICARIO: A Veritable Magnum Opus

“Your American ears won’t understand, your eyes will see things that make no sense, but in the end you’ll understand,” DOD Operative Alejandro (Benico Del Toro) Brazen sunlight beats down on the terrain, voiding any visible shadows. Homes and domiciles of the Phoenix desert fill and occupy the frame, and the camera remains momentarily stationary. But then, in an instant, the machinery that captures and reproduces light stirs and begins to pan from right to left across the suburban community; as human beings, FBI agents in full riot gear with guns pointed, to be precise, enter into the picture.

inherent Vice
A Review of INHERENT VICE By Somebody Who Loves PTA and Hates the Book

If it were not for Paul Thomas Anderson, there is a (very) good chance I wouldn’t be interested in writing about movies. It is because of his films that I take time to write for this humble little website. When I was a high school senior in 2009, my interest in movies inflated dramatically, and I watched a movie just about every night.

OLDBOY Is A Case Study in How Not to Do a Remake

In this 2013 American “reinterpretation” of Park Chan-wook’s Oldboy – which was itself loosely based on a ‘90s manga by Tsuchiya Garon – a misogynistic, binge-drinking ad exec (Josh Brolin) is mysteriously abducted and held captive for 20 years without any explanation. Then, just as suddenly as he was taken, he’s released back into the world with a stack of cash, a phone, and a hankering for bloody, violent vengeance to help him find out why he was kidnapped in the first place. Full disclosure: