Josh Gad
Unlikely to convert any new fans to the series and even less likely to please old ones, Artemis Fowl is a passionless adaptation.
Central Park, as a show, goes down like a Manhattan. Straight-up and smooth and quintessentially New York.
Avenue 5 is adrift, not exactly voicing a perspective that feels fresh or relevant. It doesn’t know what it wants to be, leaving it stuck in an unsatisfactory middle.
Artemis Fowl, a young criminal prodigy, hunts down a secret society of fairies to find his missing father.
Frozen 2 is a perfectly fine sequel. It features gorgeous animation, but the story lacks the magic of the first one. Maria Lattila reviews.
Little Monsters is a horror comedy with no scares, and a comic potential that runs out of steam by the time the premise kicks in.
Anna, Elsa, Kristoff, Olaf and Sven leave Arendelle to travel to an ancient, autumn-bound forest of an enchanted land. They set out to find the origin of Elsa’s powers in order to save their kingdom.
Confused about its target audience, Angry Birds 2 fails to deliver the jokes or storyline bringing lttle more than a playlist and a star studded cast.
Do you like dogs? Then you might like A Dog’s Journey, the latest puppy compilation turned corn-syrup narrative released by Universal Pictures.
SXSW 2019 featured some excellent horror films, like Us and Little Monsters, but also lesser ones like Tales from the Lodge and Tone-Deaf.
While not as perfect as the original, Beauty & the Beast is an elegant and magnificent display that true love for a film never dies.
A Dog’s Purpose is a manipulative movie that, though occasionally cuddly and cute, serves little “purpose” overall.
