journalism
Hulu’s Boston Strangler, starring Keira Knightley and Carrie Coon, is the best serial killer–journalism movie since Zodiac.
Ultimately, Mister Organ is a fascinating – and hilarious – look at one man’s rampant narcissism and how it affects those he comes into contact with.
The triumph of The Columnist goes beyond an intimate understanding of the problems of the digital age, to a solid grasp on how that culture makes monsters.
We’ve seen a direct correlation between the use of cell phones and increased awareness of and civic response to police brutality against Black people.
Lee Jutton spoke with Agnieszka Holland about her film Mr. Jones, the most surprising thing she learned while making the film, and the role of journalism in keeping democracy alive today.
Mr. Jones highlights the need for investigative journalism even in a world where hard evidence can be met with accusations of untruth.
We delve further into the HBO film Bad Education, discussing further its themes of greed and altruism in the media.
Despite an all-star cast of respectable and often captivating actors, The Last Thing He Wanted ultimately falls apart due to its convoluted storytelling.
Mr. Jones is a harsh, masterful film about being wary of the lies being fed to you by your media and your government.
Good Girls Revolt is a significant and powerfully expressive series about sexual discrimination and harassment.
The Story of Roger Ailes may be straightforward and a bit lacking in stylistic direction, but it’s a rather necessary look at one man’s life to help understand today’s politics.
Shawn Glinis provides his personal retrospective of James L. Brooks’ classic comedy Broadcast News on its 30th anniversary, showing us how the film’s understanding of the world colors his own.
The Pirates of Somalia is a fantastic adaptation of its non-fiction source material, including a commendable performance from Evan Peters.
The Post is less than the sum of its parts; an effectively directed and acted film, but its most dramatic story is left in the margins.
Nightcrawler’s Louis Bloom is worthy of our criticism, but it is also easy to overlook how flawed his colleagues (and viewers) truly are.
