Kathryn Hahn

GLASS ONION: An Inspired Sequel Loaded With Twists and Plenty of Fun
GLASS ONION: An Inspired Sequel Loaded With Twists and Plenty of Fun

It is a well-made, multilayered murder mystery, whose appeal lies not only in its subversive story, but in its prescient ability to predict the future.

I KNOW THIS MUCH IS TRUE: The Tragedy of the Americana Experience
I KNOW THIS MUCH IS TRUE: The Tragedy of the Americana Experience

Combined with Cianfrance’s ‘addiction’ to this story and the intimacy of the acting, I Know This Much Is True creates a palatable amount of realism.

MRS. FLETCHER: A Thoughtful And Liberating Dual Coming Af Age Dramedy
MRS. FLETCHER Mini-Series: A Thoughtful & Liberating Dual Coming-Of-Age Dramedy

Mrs. Fletcher is a wholesome experience that provides an empowering journey about the complexity of being human.

PRIVATE LIFE: A Bittersweet Portrait Of A Couple’s Pursuit Of Parenthood
PRIVATE LIFE: A Bittersweet Portrait Of A Couple’s Pursuit Of Parenthood

Private Life is a beautifully crafted study of two people who struggle to relinquish their desire to control and plan every element of their life.

FLOWER: Zoey Deutch Blossoms as a Teen Vigilante
FLOWER: Zoey Deutch Blossoms As A Teen Vigilante

While tiptoeing on the line of empowering and exploitative, Flower is an unconventional teen film for a new generation that finds its true strength in in its leading lady Zoey Deutch.

A BAD MOMS CHRISTMAS: Wilder But Inferior Sequel
A BAD MOMS CHRISTMAS: Wilder But Inferior Sequel

A Bad Moms Christmas is mediocre after the original film, with stale jokes that lift the film away from reality and biting satire.

CAPTAIN FANTASTIC: 21st Century Parenting
CAPTAIN FANTASTIC: 21st Century Parenting

To title your film with the superlative ‘Fantastic’ is playing with fire. Firstly, in this age of Marvel’s silver screen domination and DC’s valiant attempts to catch up, it would be understandable for any jaded cinema-goer to skip this one, expecting another facile, spandex-clad superhero epic; secondly, if it fails the headlines write themselves, and every movie critic worth their salt would crowbar in a reference to the irony of the film’s title. Luckily, Matt Ross’ sophomore effort Captain Fantastic, following 2012’s 28 Hotel Rooms, will have few critics drawing knives, and anyone eagerly searching for an antithesis to the recent barrage of superhero blockbusters in cinemas will be satisfied, if not delighted, when the credits roll.

BAD MOMS: Not Just A Female-Led Seth Rogen Movie
BAD MOMS: Not Just A Female-Led Seth Rogen Movie

Bad Moms threatens to turn into a women-centric Seth Rogen movie, and it could easily have fallen off that particular cliff. Fortunately the movie and the audience are spared that fate, largely because the moms aren’t really that bad, and that’s the point of the movie. These women are overstressed, overworked and under-appreciated, but they’re trying.