LGBTQ+
In this week’s Queerly Ever After, we take a look at 2011’s What Happens Next, a romantic comedy where the romance outpaces the comedy.
In this Queerly Ever After we visit the 2013, Pit Stop: a simple, slice-of-life story about two men coming together amidst the backdrop of their small town.
Everybody’s Talking About Jamie is one of the better film adaptations of a stage musical.
Queerly Ever After #60 focuses on Baldvin Zophoníasson’s Icelandic film Jitters, a teen drama filled with first crushes and tragic events.
With extremely long scenes, flat lighting, and a meandering story all come together to create this dull, Best Day Ever is a tired movie.
J.C. Calciano’s Is It Just Me? is a gay romantic-comedy of chat rooms, miscommunication and false identity.
For this week’s entry of Queerly Ever After, we take a look at 2002 French TV-movie You’ll Get Over It.
For this Queerly Ever After, we take a look at the 2012 film Morgan.
In Pray Away, viewers are led into the minds of those who founded, lead, and propagated one of the biggest conversion therapy developers.
In the documentary, The Sound of Identity, Lucia Lucas is the first transgender woman to headline a major opera production
Queerly Ever After #54 focuses on 1998’s Like It Is, a clunky-yet-endearing romantic drama set in Blackpool, England.
In the latest installment of Queerly Ever After, we take a look at 2016’s Fair Haven, a well-acted conversion therapy drama.
Directed by Zaida Bergroth, Tove allows the brilliant artist and author behind the Moomins to finally take center stage herself.
Film Inquiry sat down to talk with filmmaker Danielle Lessovitz ahead of the release of her new film, Port Authority.
In the latest installment of Queerly Ever After, we take a look at 2013’s Five Dances, a film about two men who find love in a dance studio.
