Mexico
Once the blood begins to flow, Saw X tears ahead with brutal, surgical precision and typically excellent practical effects.
The Black Demon is so bad that it actually ends up being great.
La Civil is ultimately an uneven crime thriller carried by an exceptional actress, but its subject matter is so important that one can overlook.
In our latest report from the 2023 Sundance Film Festival, Wilson Kwong reviews Theater Camp and Radical!
The Box uses an identity crisis to excavate the skeletons in Mexican capitalism’s close -what the movie asks is, who put them there and why?
In her first report from Tribeca Film Festival 2022, Kristy Strouse reviews Family Dinner, Huesera & A Wounded Fawn!
The latest Horrific Inquiry with Stephanie Archer ventures into 2013’s Mama, just in time for Mother’s Day!
Featuring an understated performance from Tim Roth, Sundown forces audiences to reevaluate all of our assumptions about him and his unconventional choices.
Just like the movie-within-a-movie style Hansen-Løve uses to tell the story, her latest film is a layered, intelligent work full of reflection about art, life, and relationships.
Not everyone will be won over by the weirdness of Annette, but for those who are, they will absolutely love it.
Identifying Features takes time to get going but successfully wagers the audience’s patience with a terrifying finale that lingers long after the credits.
Presented virtually, Arlin Golden finishes his coverage of the documentaries that premiered at this year’s San Francisco International Film Festival.
There is much to enjoy about Tragic Jungle, but in the end, one is left hungry for something more than what the film actually is.
A very human story everyone can relate to, Nail in the Coffin is a strong, documentary with a very big heart and a very bloody mouth.
I’m No Longer Here allows the heart to overpower technique, and resulting in a heart-warming tale of cultural identity and the lack of it.
