music
There’s a lot to take away from Hallelujah: Leonard Cohen, A Journey, A Song, including, most importantly, a better understanding of the artist himself.
The musical performances in Elvis will obviously be a major draw but the stellar performances make it all the more intoxicating.
Spanning the release of her film Hustlers to her Superbowl Halftime performance, Amanda Micheli’s Halftime documents Jennifer Lopez.
The Torch is as inspiring as its legendary subject, working as part of the effort to keep the Blues heard and alive.
If you can go along with all its winking and ribbing of rock culture, there’s enough self-deprecating, decapitating humor for a bloody fun meta-horror.
Poly Styrene: I Am A Clichè keeps her legacy alive, while also recognizing that behind the iconic music and photos she was a real, flawed woman.
With its more intimate scope, flawed or not, the documentary attempts to understand Brian Wilson.
In the vein of Citizen Kane, the documentary sets out on the foolhardy task of finding Dean Martin’s Rosebud: the puzzle piece to unlock what made him tick.
After watching, I feel vindicated in thinking the early 200s and the sweet spot of my childhood was one of the peaks of the Christian music industry.
From stunning performances all around, Coda is perfection from start to finish, keeping audiences engaged through humor, heart and genuine craftsmanship.
Equal parts fantastic and frustrating, Ema soars sky-high but cannot maintain those heights over the course of the film.
Under the Volcano chronicles the life of “Fifth Beatle” Sir George Martin’s secret recording studio in the Caribbean.
In the documentary, The Sound of Identity, Lucia Lucas is the first transgender woman to headline a major opera production
Music is just another piece of the puzzle in forming the gross picture of ableism, placed with good intentions or lack of insight.