music
Much like Gallagher himself these days, Liam: As it Was is a tided up version of the rock-and-roll star’s story.
Blue Note Records: Beyond the Notes is eager to encompass all of what makes Blue Note so special while offering the barest amount of context to bring in the uninitiated.
Blinded by the Light is a fabulous ode to the power of music, and how our favourite artists come to define our lives.
Pavarotti is at times hard to watch, but ever so entertaining and explosive exploring one of the most captivating and astonishing artists of the 20th century.
Lacking a statement about the artist-muse relationship, Nick Broomfield’s Marianne & Leonard: Words of Love fails to live up to the promise of its title.
While Yesterday isn’t perfect, it’s the lighthearted, fun, summer movie that we need right now.
Leto finds a balance between the reality of early rock under a communist regime and the fantasy rockers imagined.
While it may sound nonsensical, Andrew Emerson discusses why The Last Black Man in San Francisco shares important similarities with musicals.
Anima visualises and synthesises Thom Yorke’s perennial themes of the political and personal in an arresting, touching – and somewhat surprising – way.
With musical biopics typically presented as Oscar bait or actors doing an impression for empty accolades, here are 10 music biopics that are actually great.
The allure of Jon Foreman’s approach to life can be summed up by one day documented for all posterity in the documentary 25 in 24.
The Perfection is a twisty thriller, with plenty of gore but does it make up for the absurd plot? Josh Martin reviews.
Once Aurora is breezy, raw and evocative, an often surprising visual close-up of a young artist moulding her career against the mainstream methods of pop success.
Rocketman is big screen entertainment done right, an inventive rock-opera that brims with energy and color.
Echo in The Canyon is an ode to a time and place when the music coming out of Laurel Canyon defined the California Sound of The ’60s.
