NYFF
Is Andrew Haigh okay? Silly question: Of course he isn’t, he’s a filmmaker. An auteur,…
Two of the world’s most acclaimed filmmakers, Ryusuke Hamaguchi and Wim Wenders, screened their new films that at this year’s New York Film Festival.
With Priscilla, Sofia Coppola proves that she is the premier chronicler of what it feels like for a girl.
Jonathon Glazer’s The Zone of Interest is a hauntingly reverberating film that will stick with its audience long after the film has concluded.
Anatomy of a Fall needs no dissection to understand why this is sure to become one of your favorite films of 2023.
Through its bleak beautiful cinematography and its off-kilter score, The Settlers is a riveting piece of work that will be among the year’s best films.
From this year’s New York Film Festival, we take a look at In Water & In Our Day!
Film Inquiry interviewed writer/director Elegance Bratton for his feature film The Inspection!
Lee Jutton is back with two more films from this year’s New York Film Festival, with reviews of The Novelist’s Film and Walk Up!
All the Beauty and the Bloodshed is one of the most moving and vulnerable documentaries I have had the opportunity to see.
It speaks volumes when a filmmaker can reach its audience, inspiring them to speak out more, and Is That Black Enough For You?!? does just that.
This dispatch features two great films involving passionate love affairs — but, apart from that, they could not be more radically different.
Paul Schrader is a master storyteller, but with Master Gardener, even masters are capable of misfires.
From pensive and meditative to egotistically powerful, Todd Field’s Tár is a film for the senses.
Marie Kreutzer’s new cinematic depiction of the life of the Empress, Corsage, is a punk rock rebel yell: angry, energetic, and intensely enjoyable.
