old age
Poms might be predictable, but it makes up for it with tons of heart about this team of elderly cheerleaders. Marc Ricov reviews.
Troupers is an homage to actors over 80 who stuck it out doing what they loved for an entire lifetime. Read our review on this charming documentary.
With a crowd-pleasing setup, hilarious performances and a much-needed sense of simplicity, Uncle Drew delivers in an unexpected and hilarious way. %
Uniting four legends of the screen for a shot of summer silver screen cinema, Book Club is every bit as formulaic, disposable and harmless as you would expect.
Though it is too perfectly machine-tooled to appeal to British pensioners, Finding Your Feet is a charming and funny ride.
Abe & Phil’s Last Poker Game boasts a trio of fantastic performances, particularly from Landau in one of his finest turns in his final film, and contains just enough laughs and dramatic themes to overcome Weiner’s rookie missteps.
Our Souls at Night an important reminder that there are still plenty of stories worth telling in the twilight years of one’s life.
Lucky is the unfortunate but beautiful swan song of Stanton, one that truly earns the oft overused phrase, “the performance of a lifetime.”
The Sabbatical isn’t your typical midlife crisis film – it is highly unpredictable in the best sense of the word.
Silver Skies shows us how full of love, passion, friendship and fun the lives of the elderly are, and how we can learn from this depiction.
Going in Style from Zach Braff is a forgettable film that stumbles through genres while seemingly wasting its timeless cast.
Jin Mo-young’s debut documentary feature, My Love, Don’t Cross That River, is extremely touching, and from solely watching the trailer of this South-Korean film, you can see why. Released for the festival circuit in 2014, Jin shows us a 98-year-old Jo Byeong-man and 89-year-old Kang Kye-yeol, who’d been married for 76 years. Jin filmed the elderly couple in their mountain village home in Hoengsong County, Gangwon Province for 15 months.
My grandmother loves films, and she’ll watch pretty much anything. To give you an idea, she loved Snakes On A Plane and her favourite film is Deliverance. She also rues the day I took her to see A Scanner Darkly.
As a director, Atom Egoyan has increasingly shifted away from the emotionally raw content of his beloved 1997 film The Sweet Hereafter in favour of seedier, pulpier material that film suggested he had emotionally matured away from. Egoyan’s love of trash cinema informed his earlier work, but after showcasing his potential to make a drama film divorced of genre pretensions, the fact he is still preoccupied with putting an unwarranted arthouse inflection on such material feels like wasted potential. How to make trash cinema out of human tragedy without being offensive He manages to attract the attention of A-list casts and find his way back into the official selection of the Cannes official selection with most releases, purely on the strength of his earlier work, not out of a desire to honour his current sub-De Palma mindset.
Joel and Ethan Coen’s No Country for Old Men is a unique genre mash-up that contains elements of western, horror, drama, and crime films. The film follows the interwoven arcs of several characters in West Texas in the early 1980s. While hunting, Lleyelyn Moss (Josh Brolin) comes across millions of dollars at the bloody scene of a drug deal gone awry.
