Rebel Wilson
The Hustle is a female-driven remake that features two household names – it may look appealing, but don’t let it deceive you – it’s a con job in itself.
Isn’t It Romantic is not a game-changer in the romantic comedy sub-genre, but it’s a proud statement by Wilson that everyone should get behind.
Should future encores of Pitch Perfect take the stage, we can only hope they have a little more verve and imagination than this one.
It’s no secret that Sacha Baron Cohen makes comedies that age badly, no matter how well-regarded they are upon their release. His reputation as a satirist with his finger on the pulse of contemporary societal prejudices ensures that days and weeks after initial release they become regarded as documents of America’s unforgivable past. With Grimsby, Cohen makes his first British movie in fourteen years, after his execrable debut Ali G In Da House – and it is the first time his brand of social satire feels not just outdated, but tired prior to release.
For most people Pitch Perfect wasn’t something they saw in the cinema. They watched in on DVD on a whim or chanced it after hearing about it from a friend. Released just as Anna Kendrick and Rebel Wilson’s careers were on the rise (and was possibly one of the films that gave them a leg up) it initially went under the radar, but as the years have passed the film has garnered great reviews and the Barden Bellas now have a huge fanbase.
