relationship
In this week’s Queerly Ever After, we take a look at 2011’s What Happens Next, a romantic comedy where the romance outpaces the comedy.
Ever since the start of the COVID-19 pandemic, filmmakers have generated embellished tales of horror…
Even when things get very strange, Charlie Kaufman’s I’m Thinking of Ending Things will always find a way to hook you in and never let go.
In She’s in Portland, the elements feel superficial, with the core relationship feeling especially hackneyed.
We spoke with director Tom Cullen about his film Pink Wall, which is a worthy addition to the relationship drama canon that deserves not to be overlooked at the box office.
Tracks is a rather tedious ride that doesn’t possess any of the characteristics a rom com should have in order to soar.
The Tomorrow Man examines the relationship of two elderly people preparing for the end of days that despite its charm remains shallow.
With an emotionally moving story and flawless execution in every element, Lost & Found is a sight to behold.
There’s certainly fun to be had with this deeply silly slice of R-rated raunchiness, yet The Spy Who Dumped Me struggles to balance its crass brand of humor with shocking bursts of carnage.
On Chesil Beach feels like three separate character studies awkwardly forced into one occasionally incoherent film – but with a characteristically brilliant Saoirse Ronan performance at the centre, it is never anything less than compelling.
Lead by a powerhouse cast and brilliant directorial debut, Allure challenges and leaves a significant trail of destruction in its wake.
Heavily reminiscent of Michael Haneke’s Funny Games, Chameleon boasts three great performances – but still leaves a sour aftertaste.
