Riccardo Scamarcio
Art is inseparable from death. This is one of the main conclusions of Abel Ferrara’s meditation on the always controversial Pier Paolo Pasolini.
For a director obsessed with the decadence of Italy’s most powerful, Loro feels like the film Paolo Sorrentino was born to make.
Welcome Home has a melting pot of possibilities, preying on human fear, but much like its local creep, it skulks when it should attack.
John Wick: Chapter 2 is a film which, while containing the flurried action of the original, is still utterly unique and compelling.
