romance
A genuinely unusual movie that will elicit a genuinely unusual reaction, Wild Mountain Thyme is shockingly terrible.
Ammonite is a cold, distant viewing that rewards the viewer in sporadic intervals, confident that it will find the right audience.
Daryl MacDonald spoke with director Zeina Durra about her film Luxor, the city of Luxor itself to spirituality, dreams, accents, and more!
Luxor will reward that patience with a lovely, unsentimental look at life, which is well worth the price of admission.
Fruit Chan’s Made in Hong Kong’s bleak tale of alienated youth should appeal to anyone who has ever felt the future slipping away from them.
Happiest Season is a holiday film that transcends a one size fits all, welcoming everyone home for the holidays.
For this Film Inquiry Roundtable, the team talks about their favorite romances.
In Dreamland, Margot Robbie is perfectly cast as a complex woman whose outlaw glamour belies her inner darkness.
Nils Bokamp’s You & I follows two men on a road trip, whose friendship is brimming with unresolved sexual and romantic tension
Let Him Go is both a period piece — though set in the 1950s, not the Old West — and also a tale pregnant with grief.
Reyzando Nawara had the opportunity to speak with Cooper Raiff about his movie Shithouse, the painful yet realistic part of the college experience, and more!
With two perfectly cast roles in Colin Firth and Stanley Tucci, Supernova lovingly ponders on the preciousness of memory and time.
Rebecca is not a bad or dull film, but it squanders the immense potential for something vital and thrilling in du Maurier’s tale.
The Guernsey Literary and Potato Peel Pie Society is a story about stories, why we share and retell them, and why we adapt them.
If you’re looking to wallow in despair, rather than escape it, then Damnation is the film for you.
