romance
If you’re feeling nostalgic for early oughts movies like She’s All That, then Latter Days from C. Jay Cox is for you.
Summer of 85 is one of the best coming of age stories in recent memory – an affecting tale of first love and first heartbreak.
There is a cathartic experience Shithouse lends to its audience, a character study not so much in the characters themselves but character of emotions.
Mike Flanagan’s The Haunting of Bly Manor once again sees him revisiting an old horror text as a roadmap to explore human emotions.
Eternal Beauty is nonetheless an enjoyable film with admirable intentions, elevated by the sensitive work of Hawkins and her supporting cast.
The Perfect Wedding is what you would get if Hallmark decided to make a gay Christmas movie, and there’s absolutely nothing wrong with that.
While it had the potential to have been an interesting film, Say Yes is hampered down by heavy-handed plot contrivances.
Frances Maurer spoke with Chyna Robinson, fresh out of her festival circuit, about her latest film No Ordinary Love.
Matthias & Maxime, Xavier Dolan’s most open and tender film to date, sees him reclaiming his wunderkind status as a director once again.
While the energy soars, I Am Woman is certainly neither the greatest musical biopic nor the most intriguing account of a musician.
Mambo Italiano is a comedy so broad and uncommitted it doesn’t know what to do with itself, leaving much to be desired.
All things considered, A Mermaid in Paris is simply a joyful exploration of being a believer, in whatever context you choose to sew that thought into.
Entwined, from director Minos Nikolakakis, succeeds in its story, a slow burn that is hypnotizing, peeking the interest of its viewers.
Away is clearly built to inspire, a sense of inspiration feels even stronger and more emotional by the time you arrive at the finish line.
At the end of the day, Plan B is a sweet little story that turns a familiar plot on its head in a positive way.
