romance
An impeccably crafted puzzle box of a film, Decision to Leave cements Park Chan-wook’s place in cinema as our modern master of suspense.
While the visuals and horror may not have stood the test of time, The Birds proves there is still more to be taken away watch after watch.
This dispatch features two great films involving passionate love affairs — but, apart from that, they could not be more radically different.
Blonde has and will continue to infuriate audiences, yet is a film that can be studied for not only the continued dominating male gaze, but for the need of women to tell women’s stories.
Throughout Better Call Saul, Jimmy and Kim’s romance has explored the passion and love found in Classic screwball comedies.
With a lack of dramatization in the story, Empire of Light only has its fantastic performances and technical components to keep it afloat.
Major studio productions often use TIFF as a launching pad for large theatrical releases, and this year is no exception with The Menu and Bros.
Byh The Wonder and My Policeman playing at the Toronto International Film Festival could not be any more different.
In her first report Kristy Strouse reviews Fixation, Aristotle & Dante Discover the Secrets of the Universe and Patrick and the Whale!
Film Inquiry spoke with Darlene Naponse director of the TIFF22 film Stellar!
In our first report from the Melbourne Film Festival, Sean Fallon reviews Saloum, Dual, Shadow, The Integrity of Joseph Chambers and The Pez Outlaw!
Purple Hearts stands as a viable romance venture that is sure to pull at your heartstrings while delivering a platform of conversation for modern struggles.
Look Both Ways was a pleasant surprise. And while its final messaging is predictable, it does not miss on its delivery.
For film history buffs, silent film aficionados, or those who like a lavish period piece with equal parts drama and action, add this film to your watchlist.