Rosamund Pike
Saltburn will be divisive for many, but derivative for more.
I Care A Lot suffers from a tonal shift, is still prevalent enough that the film is entertaining and enlightening all the way through.
I Care a Lot subjects its audience to the devils whose company is never entreated, but whose dastardly dispositions are never without flair.
While initally an intense thriller, The Informer buckles with an insuffiently used cast and material to provide for good impression.
Misogynistic, anti-feminist, or simply a portrayal of women being intricate and completely human? An analysis of female psychopaths in cinema.
A brave and ambitious film unafraid of wrestling with some very difficult questions, 7 Days In Entebbe is let down by an oddly-executed finale and dialogue that is clunky and expository a bit too often for comfort.
With average performances, a weak script, and a lack of sentiment regarding the treatment of Native Americans, Hostiles isn’t going to make audiences want westerns to come back anytime soon.
A United Kingdom has plenty of flaws, but more than makes up for them with a heart and an affection that is utterly intoxicating.
If the media blitz preceding its release is anything to go by, Gone Girl is being pitched as brooding, twisty, and somewhat orthodox whodunnit. If you buy a ticket expecting just that, you won’t be disappointed. David Fincher’s film, based on Gillian Flynn’s novel of the same name, has all the shifty intricacies you’d hope for in a thriller.
