Sam Claflin
While a bumpy ride to the end, it is an intriguing character study that examines grief and loneliness while infusing intensity and thrills.
Anchored by Millie Bobby Brown’s delightful performance, Enola Holmes is a charming riff on the Sherlock Holmes lore.
While searching for her missing mother, intrepid teen Enola Holmes uses her sleuthing skills to outsmart big brother Sherlock and help a runaway lord.
While trying to make his sister’s wedding day go smoothly, Jack finds himself juggling an angry ex-girlfriend, an uninvited guest with a secret, and the girl that got away in alternate versions of the same day.
Emily Wheeler takes a look at how Jennifer Kent uses sound in The Nightingale and how it contributes to the experience and narrative.
By using a traditional revenge movie template, Jennifer Kent reminds us that we can have no catharsis for the horrors of the past.
In The Nightingale, a young Irish convict woman chases a British officer through the Tasmanian wilderness, bent on revenge for a terrible act of violence.
Powered by memorable performances and Saul Dibb’s sobering deconstruction of the individuals who fought for their country, the engrossing Journey’s End is a hard-nosed, hard-hitting centennial tribute to Britain’s heroes.
The excellent performances by Weisz and Claflin sadly don’t make up for the fact My Cousin Rachel is boring to the point of tedium.
The Quiet Ones director John Pogue took a risk – inviting the viewer to follow along with Professor Joseph Coupland’s (Jared Harris) “experiment” to prove that the supernatural is simply a manifestation created in the minds of the mentally disturbed. What Professor Coupland and his team didn’t expect was a genuine haunting. The Quiet Ones was unexpected, different.
