sci-fi
Desert Road is what indie cinema should be. It’s ambitious, beautifully shot, and entertaining in all the right ways.
Madame Web is trapped in the past for feeling like a mid-2000s comic book movie too ashamed to evoke its source material
Verdugo and Davis’ tight and witty script shines through every scene, and like any good pilot Restorage leaves you wondering where we’re going next.
Poor Things is a brilliantly weird odyssey of beauty and bile that goes down like a wonderfully bitter-and-sweet cocktail.
Divinity, written and directed by Eddie Alcazar, is a compelling sci-fi body horror, even though…
In the end, Firefly is full of not only wit, style and imagination, but a burning compassion for its characters, along with their individual differences.
The focus of Dane Elcar’s micro-budget debut feature Brightwood is a relationship falling apart. Jen…
It’s tough to be a sci-fi screenwriter in Hollywood — there’s a 90% chance that…
Science fiction is a lot harder than it looks. On one end, the writers and…
Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
Mutant Mayhem gives the Ninja Turtles a fresh coat of paint as a welcoming revision with unique animation and compelling characters.
Lofty in ambition yet flawed in realization, LOLA is nonetheless an intriguing cautionary tale experiment in lo-fi science-fiction.
For those with a nihilistic sensibility, there will be solace in the nothingness that comes from Smoking Causes Coughing.
Morbius was a double failure at the box office because its lead is boring, its plot is derivative, and its marketing tried its damnedest to trick audiences.
