Sebastián Lelio
A tale of two strangers who transform each other’s lives, a psychological thriller, and a story of love pitted against evil.
Byh The Wonder and My Policeman playing at the Toronto International Film Festival could not be any more different.
We examine how Gloria Bell is disenchanted with L.A., transforming the unhappiness with the city into a dissatisfaction with the American dream.
While Gloria Bell might be almost a carbon copy of 2013’s Gloria, the film demonstrates how much Sebastián Lelio has evolved as a director over the past six years.
Sebastián Lelio returns to his breakout material with Gloria Bell, an English-language remake of his 2013…
Lacking emotional honesty, Disobedience from director Sebastián Lelio fails to create believable, organic tension between its characters and translate an understanding of the films primary cultural focus and subject matter.
Kristy Strouse spoke with the stars of Back Roads on the red carpet of Tribeca Film Festival, and reviews Sebastián Lelio’s Disobedience.
In this Tribeca Film Festival Round-up, Stephanie Archer looks at the films she saw that found that dominated their central focus and inspiration in oppression, fear and freedom.
Disobedience is based on the book of the same name and follows Ronit, a woman returning to her Orthodox Jewish community after the death of her father.
The Chilean drama A Fantastic Woman beautifully captures the story of a transgender woman, who is brought to exquisite life by Daniela Vega.
In his final Toronto International Film Festival report of the year, Tomas Trussow looks at Downsizing, Disobedience and The Death of Stalin.
Tomas Trussow is at Toronto International Film Festival for Film Inquiry and reports on Lady Bird, Happy End and I Am Not A Witch, and more!
