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BAD TIMES AT THE EL ROYALE: Deconstruction that’s Stylish to a Fault
BAD TIMES AT THE EL ROYALE: Deconstruction That’s Stylish To A Fault

On the performances alone, Bad Times at the El Royale is worth your time and money, lending itself to justifiable reasons to revisit for multiple viewings.

ASSASSINATION NATION: An Ugly Film For Ugly Times

A hard pill to swallow, Assassination Nation is a blunt, antagonistic, but masterful film, guided by a director who can so easily weave in between political horror, social injustice, dark comedy, and teen comedy.

SUSU: A Flawed But Interesting Examination Of Orientalism
SUSU: A Flawed But Interesting Examination Of Orientalism

Whilst not always smoothly or coherently told through the performances and screenplay, Susu is a slightly confused movie with a distinct point to make.

BEAST: A Monstrously Great Slow-Burning Mystery
BEAST: A Monstrously Great Slow-Burning Mystery

Beast is a gritty psychological-mystery with a brilliantly dark, pulsating and atmospheric heart, with an exceptional lead performance from Jessie Buckley. Michael Pearce delivers a brilliantly assured and confident feature-length directorial debut.

THE PARTY: Accept The Invite To Sally Potter's British Black-Comedy
THE PARTY: Accept The Invite To Sally Potter’s British Black Comedy

From the riotous to the poignant, Sally Potter’s The Party taps into the state-of-the-nation with a smart, sharp comedy populated with hilarious characters and brought to life by a truly fantastic cast.

THE STRANGE ONES: Elusive In The Right Way
THE STRANGE ONES: Elusive In The Right Way

A provoking film that resonates long after the credits have roles, The Strange Ones is an understated debut, with just enough external beauty and internal unease to keep us hopeful for their cinematic future.