slasher
With holiday season underway, Charles E. Sellier’s Silent Night, Deadly Night was the perfect way to usher in the spirit on this Horrific Inquiry.
It’s Friday the 13th – and Horrific Inquiry knew exactly which film it had to tackle!
This film may be a remake of the 1981 classic but it creates its own identity, carving out its own place within the horror genre.
While Sick may not be the grade-A horror film it wants to be, it is an enjoyable watch, with a few surprises, and some great visual creations.
While Terrifier 2 lacks some of the tension of the original, this long, surreal sequel makes up for it with scene after scene of showstopping gore.
The first 90 minutes of David Gordon Green’s Halloween Ends easily outweigh most of the films that have come before it.
Promoted as being based on a true story, The Texas Chainsaw Massacre reached into the recesses of the mind, pushing audience expectations to a new level.
Valentine was never meant to be a deep well of thought within a slasher, but it does, even when it leaves much to be desired.
With Black Christmas’ blend of sadism, camp and scantily clad women, the film finds the pulse of the American slasher.
With only a month left until the release of the franchise’s fifth installment, we are back with another edition of Horrific Inquiry’s Scream Countdown!
In the years since its release, Scream has proven itself to be a staple of a genre and an undeniable part of horror cinematic history.
The Last Matinee is a blood-soaked and nostalgic journey into a bygone era of movie theaters and their unique beauty.
Sure it doesn’t have the best acting, narrative or even the best effects, but Freddy vs. Jason offers audiences a return to slashers of old.
Given this era of social distancing, now would be the ideal time to re-watch the Friday the 13th franchise, or start them for the first time.
Black Christmas is angry, terrifying, empowering even – all that surrounded with the threatening notes of holiday songs playing in the background and a stalker out to get you.
