slasher

Animal Among Us: The Real Monster Was Boredom All Along
ANIMAL AMONG US: The Real Monster Was Boredom All Along

Generic in all the worst ways, Animal Among Us is poorly executed, feeling like a throwback to the worst of mid 2000’s horror.

COUNTDOWN: A Gimmick App Not Worth Installing
COUNTDOWN: A Gimmick App Not Worth Installing

Countdown is not aggressively terrible, but it’s life-threateningly dull.

Serial Killer Cinema: Deadly Depictions

Serial killers depicted in film have taken the industry by storm and became popularized by the audience and their need to question what they know about humanity.

KNIFE + HEART: Wannabe-Edgy, But Ultimately Too Tame French Slasher

Knife + Heart constantly walks the very fine line between a comedy and a true horror. It at times excels at both, but rarely infuses the two into a coherent film.

NEXT OF KIN: Australia's Lost Horror Classic Back from the Dead
NEXT OF KIN: Australia’s Lost Horror Classic Back From The Dead

This Australian horror has languished in obscurity for years, but a new restoration by Second Sight should make it the genre classic it deserves to be.

THE AMITYVILLE MURDERS: A Supernatural, Tasteless Snoozefest
THE AMITYVILLE MURDERS: A Supernatural, Tasteless Snoozefest

The Amityville Murders is a film that should be avoided at all costs. It doesn’t succeed as a horror film, nor as a supernatural thriller.

VELVET BUZZSAW: Final Destination transported to the world of art
VELVET BUZZSAW: Final Destination Transported To The World of Art

Dan Gilroy has stepped out of his comfort zone with satirical horror Velvet Buzzsaw – and the results are mixed, to say the least.

Final Girls Do It Better: From Elm Street To A Vet School In France, How The Final Girl Trope Has Evolved
How The Final Girl Trope Has Evolved: From Elm Street To A Vet School In France

Maria Lattila examines how generic slashers actually hide a hugely empowering element, the Final Girls of horror fulfilling and enabling feminine power and potential.

SCARECROWS: By The Numbers Slasher That Peaks Too Soon
SCARECROWS: By The Numbers Slasher That Peaks Too Soon

Even the creative use of an iconic object of terror doesn’t help to elevate Scarecrows above any other generic slasher.

Monsterfest VII: HELL FEST
Monsterfest VII: HELL FEST

It is a shame when a movie like Hell Fest this is let down by the very reason for its existence – a slasher movie is only as strong as its slasher and the fear that slasher creates.

HALLOWEEN: A Missed Opportunity 40 Years In The Making
HALLOWEEN: A Missed Opportunity 40 Years In The Making

Halloween ends strongly, which always helps, but the picture lacks imagination in too many other areas to have any lasting impact.

HELL FEST: Innovative Concept Gives Way To Familiar Slasher Tropes
HELL FEST: Innovative Concept Gives Way To Familiar Slasher Tropes

In an age where horror options are plentiful this time of year, Hell Fest’s derivative thrills almost feel insultingly disappointing.

Knife + Heart: Interview with Writer/Director Yann Gonzalez at Fantastic Fest 2018
Interview With Writer/Director Yann Gonzalez Of KNIFE + HEART At Fantastic Fest 2018

We got the chance to speak to director Yann Gonzalez about his new film Knife + Heart after its US premiere at Fantastic Fest.

THE FOREST OF THE LOST SOULS: A Unique Genre Fusion
THE FOREST OF THE LOST SOULS: A Unique Genre Fusion

The Forest of the Lost Souls is an impressive debut that will find its audience in those filmgoers who appreciate cinematic genre fusion.

PUPPET MASTER: THE LITTLEST REICH: Gory Slasher Comedy Is An Instant Cult Classic
PUPPET MASTER: THE LITTLEST REICH: Gory Slasher Comedy Is An Instant Cult Classic

For all of its merciless violence, Puppet Master: The Littlest Reich is a clever exercise in genre thrills and impossibly twisted humor.