Steven Soderbergh
KIMI derails a scintillating premise with a routine thriller that is on its surface efficiently executed but belies the clever psychological start.
With No Sudden Move, Steven Soderbergh has crafted a fun and twisty neo-noir that makes the best of its ensemble cast.
A young man finds romance with a literary agent while taking a trip with the woman’s famous aunt and her friends.
Jake Tropila chronicles his top ten action films of the last decade.
Steven Soderbergh is back with The Laundromat, a splashy, star-studded look at the world of obscene wealth and financial wrong-doing.
An alluring fixture with a hefty and enlightening impactful weight, The Laundromat drowns due to an overindulgence in material and excessive narrative.
The most surprising thing about High Flying Bird is how it takes a niche and seemingly uninteresting topic and finds a message of social importance within.
Steven Soderbergh’s Unsane easily fits within the category of exploitation cinema, but why were critics willing to overlook some of its questionable morals (or lack thereof)? Emily Wheeler takes a deeper look.
In this report from the Berlinale in Berlin, Germany, Gus Edgar reviews Golden Bear winner Touch Me Not, Chinese film An Elephant Sitting Still, Soderbergh’s Unsane and more.
Unsane has been filmed with an iPhone, giving the picture a paranoia-fuelled low-fi fuzz. This is more than just a marketing gimmick, as Soderbergh’s film centers on the idea of stalking – a timely focal point considering the mass of sexual allegations that Hollywood has found itself mired in.
Unsane sees Soderbergh return to questions of the mind with the tale of a young woman being wrongly placed in a mental institution.
Steven Soderbergh’s Logan Lucky is one hell of an enjoyable ride that leaves you feeling lucky to have been along
Steven Soderbergh’s retirement turned out to be short-lived, as he’s back with another heist film, Logan Lucky.
Back in 1993, Steven Soderbergh just came off the disappointment that was his ambitious yet unloved second feature, Kafka. He turned his attention to a property best described as a sure-thing, a money grab, if you will; writer A. E.
