Switzerland
Admirably, Sew Torn remains winningly earnest in its treatment, aiming for Edgar Wright’s shaggy dogs over Nolan’s smooth criminals.
From New York Film Festival, Lee Jutton reviews La Chimera and About Dry Grasses!
Wilson Kwong dives into two films that are interesting examples of dramatic French cinema with clear commercial appeal.
If you aren’t already disenchanted with capitalism and the way it sucks people dry, then Unrest is here to help.
Wet Sand centers on the death of a man named Eliko, and when his daughter Moe arrives she is looked at as an outsider in the community.
Elena López Riera’s El Agua is a slow, seductive, and assured tale of young love and mysticism in an exquisitely rendered Spanish village.
The debut feature from Swiss filmmaker Andreas Fontana, Azor is a sophisticated and sinister thriller suffused with a lasting feeling of unease.
Tatort: Streets of Berlin is a crime show with collaborative efforts across regional television studios in Germany, Switzerland, and Austria.
Not everyone will be won over by the weirdness of Annette, but for those who are, they will absolutely love it.
From this years South East European Film Festival Los Angeles, Kristy Strouse reviews Mare and Cream.
My Wonderful Wanda is a fun film with moments of genuine humour and insight making make it worth the watch.
While it doesn’t give its audience straightforward answers, Echo offers a kind of diagonal empathy that’s refreshing and valuable.
Beyond the Horizon is almost a traditional coming-of-age story that operates in accordance with the rules of the genre, but set apart by its twist.
The Truth is an impeccable and intimate view into the quietly tumultuous relationships between mothers and daughters and the shape they take into adulthood.
Ciro Guerra and Cristina Gallego’s Birds of Passage takes us to the Guajira Peninsula, a…
