thriller
The Oak Room brings light to the darkness of storytelling but at times this is not enough to stay invested in the story and its characters.
While Godzilla vs. Kong is by far the best installment of this rebooted franchise, the MonsterVerse could still learn a few lessons from its forerunners.
Film inquiry had the chance to speak with Vaughn Stein, the director of Every Breath You Take, a deep character study in disconnected yet shared grief.
While a bumpy ride to the end, it is an intriguing character study that examines grief and loneliness while infusing intensity and thrills.
For a low-budget production, Agoraphobia is a high-quality film with a solid storyline and good cast.
The Cabinet of Dr. Caligari, from Robert Wiene, is a film held close to the hearts of film historians, German expressionists, and horror fans alike.
While Six Minutes to Midnight does tell a story about life on the cusp of World War II, it still doesn’t stand out.
Based on the 1892 Charlotte Perkins Gilman short story by the same name, The Yellow Wallpaper is a thriller that stumbles with uneven performances.
While underdeveloped and sluggish in approach, Phil Sheerin’s The Winter Lake is a sedate, rustic thriller examining familial complexities.
Wearing its influences on its sleeve and a love letter to horrors of the past, Awoken is a sharp little horror movie with bite and shocks.
We spoke with writer/director Jill Gevargizian and star Najarra Townsend for their amazing new horror: The Stylist.
The Stylist has everything one can want from a horror film; a talented female lead, lots of chills and bloody enticements, and a wickedly impressive style.
Boss Level might not break new ground, but it’s throughly entertaining and worth watching at least once, if not time and time again.
Though bloated at times, The Sinners is a deeply layered and nuanced film that finds as much strength in what is not discussed as in what is.