thriller
The films of John Singleton have provided thought-provoking stories, honest characters, and imagery that lingers well past each viewing.
Kontroll may be subterranea, but it should remind us to keep close watch over the politics of our own transition now.
Audiences are well-endowed with a suspension of disbelief, and we deserve nostalgic, beautiful, happy stories Like The Handmaiden.
Lee Jutton spoke with Agnieszka Holland about her film Mr. Jones, the most surprising thing she learned while making the film, and the role of journalism in keeping democracy alive today.
Mr. Jones highlights the need for investigative journalism even in a world where hard evidence can be met with accusations of untruth.
Few directors have a filmography as unique as George Miller, who has the power to create moments that’ll be ingrained in your mind forever.
On paper, HBO’s newest comedy Run looks like the perfect romance fantasy. But in the end, Run feels more like a failed attempt.
While there are some joys to be found throughout the season finale, every answer to the season’s overarching narrative doesn’t feel satisfying.
Becky is an entertaining thrill ride but runs into trouble with its weak script and mediocre direction.
“Beautiful Monster” fails to carry the momentum that the last few episodes have established.
At the end of the day, The Lovebirds feels like a bad first date. You go in full of hope and a mind for flirting and fun and leave without a meaningful connection.
We spoke with director Vaughn Stein about his upcoming film Inheritance, working with Simon Pegg and Lily Collins, his next film, and more.
Malik Vitthal’s Body Cam is a forbidding tale of revenge that comes at you with speciously righteous fury, and that fury lingers.
As we reflect on this modern phenomenon and our fear of it in film, we must be careful not to make the same errors as the media has made in covering mass shootings.